Halfway through the festival, only Jacques Audiard with his offbeat musical Emilia Pérez was able to breathe new life into a competition without much brilliance. To the point of appearing as one of the favorites
With the Francis Ford Coppola hypothesis lifted, the Cannes Film Festival could really begin. It is an understatement to say that the screening of the highly anticipated Megalopolis , Thursday May 16 on the second day of the competition, cannibalized the entire start of this 77th edition .
And the critical battle that followed, between defenders of the brilliant vision...
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